The Day I Come to You, It Will All Come Crumbling Down
Each threshold stands as both a sanctuary and a sieve. When asked to design the temporary entrance to the site of the Horst Arts and Music Festival, we reflected on this double-sided notion, defining a temporary temple with 6-meter-high columns whose foundations would plunge into bins. The entrance to the festival site serves as a 'depuration' point for specific prohibited possessions that are not allowed on the premises. In this sense, the entire structure can be read as a stacking of these leftovers in their containers. Given its rather short life of three days, the structure was made only of rentable and discarded materials.
The Day I Come to You, It Will All Come Crumbling Down
Year
2024
Location
Vilvoorde
In collaboration with
Flore Fockedey
Commissioned by
Horts Arts and Music Festival
Photography
Eline Willaert, Elias Derboven, Illias Teirlinck,
The Day I Come to You, It Will All Come Crumbling Down
Each threshold stands as both a sanctuary and a sieve. When asked to design the temporary entrance to the site of the Horst Arts and Music Festival, we reflected on this double-sided notion, defining a temporary temple with 6-meter-high columns whose foundations would plunge into bins. The entrance to the festival site serves as a 'depuration' point for specific prohibited possessions that are not allowed on the premises. In this sense, the entire structure can be read as a stacking of these leftovers in their containers. Given its rather short life of three days, the structure was made only of rentable and discarded materials.
The Day I Come to You, It Will All Come Crumbling Down
Year
2024
Location
Vilvoorde
In collaboration with
Flore Fockedey
Commissioned by
Horts Arts and Music Festival
Photography
Eline Willaert, Elias Derboven, Illias Teirlinck,